. — THE PROJECT STARTED WITH A STUDY OF DESIGN PROCESS WITH ABSTRACTIONS AND TRANSLATION.  THE FIRST TASK WAS TO FIND A STARTING POINT WHICH BEGAN WITH "DESIGN" A PHOTO IN SANTRAL ISTANBUL. WITH PARTICULAR PROPORTIONS THE PHOTO WAS DECONSTRUCTED INTO ELEMENTS THAT COULD BE REPLICATED AND FORM AN ABSTRACT COMPOSITION.

. — THE PROJECT STARTED WITH A STUDY OF DESIGN PROCESS WITH ABSTRACTIONS AND TRANSLATION.  THE FIRST TASK WAS TO FIND A STARTING POINT WHICH BEGAN WITH "DESIGN" A PHOTO IN SANTRAL ISTANBUL. WITH PARTICULAR PROPORTIONS THE PHOTO WAS DECONSTRUCTED INTO ELEMENTS THAT COULD BE REPLICATED AND FORM AN ABSTRACT COMPOSITION.

. — THAT COMPOSITION HAS BEEN SIMPLIFIED BREAKING THE IMAGERY INTO ITS CORE GEOMETRY AND PRONOUNCED IT WITH MONOCHROME SHAPES.

. — WITH THE RESULT THE MONOCHROME COMPOSITION HAS BEEN RESIZED INTO THREE DIFFERENT UNITS TO BUILD A NEW MORE COMPLEX COMPOSITION.

. — A METAMORPHOSIS OF A TWO DIMENSIONAL SHAPES
INTO THREE DIMENSIONAL FORMS.

. — ANALYZING THE STRUCTURE AND BUILT OF THE DANDELION THROUGH MICROPHOTOGRAPHY TO TRANSLATE IT INTO A TWO DIMENSIONAL SYSTEM.

. — TRANSLATING THE STRUCTURAL SYSTEM INTO A RELIEF COMPOSITION WITH ORIGAMI TECHNICS.

. — BUILDING UNITS TO CREATE A PAVILION.

THE TESSELLATION PAVILION WILL BE EXHIBITED IN THE INTERNATIONAL ARCHITECTURE BIENNIAL ANTALYA IN  SUMMER 2012